White collar crime movies often give way to the financial sector. Criminals are herded into drab offices where thieves dress in suits to act as if they are above the law. While the definition of crime is nonviolent, violence is felt elsewhere. Just like, in recent years, the financial crisis of 2008 has been the subject of many films, narrated with a serious and simplistic tone as intended or with satirical undertones like that of Adam McKay in the big gamble.
The crimes depicted in white-collar crime movies are not victimless, and most of the movies here take the seriousness of egomaniacs running amok on corruption with serious weight. The essence of these films is reduced to corporate and bureaucratic thrillers where the devil of crime is in the details. These are the best white collar crime movies, ranked.
10/10 Putney Swope
Told with a fit of political anger and a clear contempt for the Madison Avenue elite of the 1960s, Putney Swope is Robert Downey Sr.’s insightful satire of the financial world. Told with peculiar pacing, as a series of skits that iron out all the political misadventures and double standards of thieves in suits, Downey Sr. points the finger at the racist establishment with a dark comic cunning. The film ends on a simplistic note: all idealism succumbs to the powers of corrupt institutions.
9/10 Boiler room
The low-end version of a movie like Glengarry Glenn Ross of a hot young man Director at Ben Youngerwhere a bunch of cocky, cocky white guys in their early 20s try to make a name for themselves while trying to outsell everyone else in their scummy ways. Boiler room takes a great ensemble, including a hilariously swaggering turn from Vin Diesel as he makes cold calling look like a grand ceremony. The film centers on people trying to find a right in a world that is not what it seems. Focusing on the corrupt nature of investment firms, everyone involved is almost destined to rot. The back of the cast includes names. like ben affleck, Scott Caan, Jamie Kennedy and Barry Pepper. Ensuring moving, funny and quotable speeches from scene to scene as the scaled back financial schemes effort unfolds.
8/10 margin call
Turning the language of the financial elite, which can be a foreign language in its own right, into a compelling dialogue around the economic collapse of criminals who chose to exploit laws many can barely understand, gives JC Chandor margin call all his power. Championing the cunning and dark prowess of actors like Jeremy Irons and Kevin Spacey, Chandor keeps the film tight as we move from the cold office to the dark corridors, creating a fictionalized look at the financial crisis of 2008. Showcasing the cold-hearted private sector that It plunged this country into a recession.
7/10 financial world
Oliver Stone’s cautionary tale of unbridled greed in the financial sector is a cautionary tale for anyone who thinks they can get out of the money game clean. “Greed is good,” said the infamous Gordon Gekko of Michael Douglas, whose greasy conniving charisma draws young Charlie Sheen into a world he believes he’s ready to inhabit. financial world It’s a great white-collar crime movie because of its portrayal and indictment of the corporate sector, but also because Stone has an eye for decadence and ’80s financial excess.
6/10 silk wood
The suffering humanity of The work of Mike Nichols it’s your natural ability to make unfamiliar terrain feel lived in and related. From the domesticity of the house where three union workers live, a sensational ensemble of Cher, Kurt Russell and Meryl Streep, and see their lives change when they discover the dangers of being exposed to radiation. Based on the true story of Margaret Silkwood, interpreted with southern finesse by thetransformative meryl streep, who was assassinated after exposing the corrupt practices of the plutonium factory where she worked for several years. Nichols’ deft balance of fear and terror mixed with romanticism makes the film an absolute knockout. silk wood it is a film with a cynical touch that gets under your skin.
5/10 The wolf of Wall Street
In tackling the most corrupt people, Martin Scorsese decided that the only way to do it would be a sham. Teaming up again with his superstar muse, Scorsese surrounded Leonardo DiCaprio with an ensemble that could match his high energy with improv comedy. So there was no better choice in the supporting role than Jonah Hill. The coming together of DiCaprio and Hill as the two con artists who ripped off millions of Americans while climbing to the top of the Wall Street ladder was despicable, but always watchable. Scorsese always knows how to lean into how cool and fun the gangster lifestyle is, but he always reminds his audience that bad guys never rise to the top. Showing the insatiable taste for greed, The wolf of Wall Street it describes the crimes in the skyscrapers of New York for what they are.
4/10 the big gamble
The first film that would put the studio comedy innovator down the drain for more serious work, the big gamble is Adam McKay’s delicately balanced film of satire and seriousness about the raw nature of the financial sector that would cause the housing market to crash. Understanding the grimace and pain caused to so many families, McKay walks us through the rules of lending as if there were five of us, making big names like Margot Robbie break the fourth wall during narrative beats that may have been confusing. Also, pulling off great work from a diverse cast of actors where the strengths of comedy and drama meet beautifully. From a grungy techie played by Brad Pitt to the optimistic Steve Carrell, the film weaves his messages into an entertaining, non-preaching glee.
3/10 All male presidents
Directed by 1970s paranoid conspiracy auteur Alan Pakula and lensed by legendary cinematographer Gordon Willis, the two crafted a sophisticated visual language to enamor and complement material already fraught with institutional suspicion. Robert Redford and Dustin Hoffman play the two journalists who find themselves embroiled in one of the biggest corruption scandals in political history. The couple slowly realizes the enormity of the Watergate hotel robbery as it relates to President Richard Nixon and his corruptible cabinet, as they have engaged in highly illegal activities. They get information from the mysterious “Deep Throat” and find out what it means for the country. It’s an exhilarating procedural piece, but All the president’s men highlights how important the work of journalists is in the midst of a white-collar boss scandal.
2/10 Catch Me If You Can
Steven Spielberg’s only collaboration with the young stud Leonardo DiCaprio and his eternal muse, Tom Hanks, Catch Me If You Can is the wildly entertaining romp of a con man using his wits to rebel against a system he felt betrayed by. DiCaprio plays a real life con man Frank Abagnale Jr.., a young con man who discovers how easy it is to defraud public banks through check fraud. Spielberg brings his elegant Hollywood romantics to show Abagnale reacting to his family’s demise dynamic. Spielberg also shows the painstaking detail and craftsmanship it took to cover his tracks and ultimately become a Pan-Am pilot. Catch Me If You Can it’s a great white collar crime movie and a subtle portrayal of a lonely young man.
1/10 Michael Clayton
George Clooney proved why he was one of the most beloved superstars of the turn of the century with his stellar performance in Michael Clayton. Broken by the difficulties of working in corporate law, which strained relations with his family, we find Clayton in the middle of a conspiracy, working as a corporate fixer. The poisoning of farmers by a large multi-billion dollar company is a bit of background noise, instead foregrounding Clooney trying to save his soul while navigating the pressures of being the arm of a cold adding machine. Equally compelling are Tom Wilkinson as the man Clooney fails to protect and Oscar-winning Tilda Swinton as the lawyer who knows no bounds to achieve her goals. But what stands out the most is Tony Gilroy’s God-level script, seamlessly woven together..